(2)
ONE AUTUMN'S DAY I STOPPED AND SAT
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One autumn's day I stopped and sat
under the boughs of a withering tree;
the bark of the tree was pinching my back;
the dank of the ground seeped into my skin.
My eyes wandered to grey clouds above,
to leaves overhead tinged yellow and brown
When out on a branch a chipmunk darted
and stopped of a sudden to stare at me:
utterly still he sat on his haunches;
his bright slanted eyes were unblinking.
I closed my eyes – still he stared.
His eyes were fathomless and black.
Recognition unfolded inside me.
O voiceless muse, nature's automaton,
that tiny buddha knew his unknowing;
and in his unknowing he unknew me.
I opened my eyes – still he stared.
Then chirped at me once and darted away. |
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One day last winter when I was walking through the woods over at the
cemetery I saw a chipmunk dart into a hollow tree. I assumed
that he had made his home in there, or had at any rate made the
opening to his burrow inside the tree. The next time I went
into the woods I brought along a couple of nuts from a bag I'd bought
for myself to eat and placed these inside the tree. I checked
the next day: they were gone. Throughout the
winter, summer, and into the fall I continued to place nuts inside
this tree; also I've spied out a number of other chipmunk holes in
the cemetery and woods, and have often thrown a nut or two down
these as well. What began as a whim soon turned into
something more: it gradually became a way of
"honoring" nature, my tokens of nuts taking on the
connotations of a votive offering. Slowly I became aware that I
was seeking to formulate a more specific relationship with nature via
my gifts to the chipmunks, though what expectations I held for that
relationship I could not precisely say. To answer this question
I must look to the communicative aspect of my behavior and consider
this in light of its creative potential: it's as if some
new intention has been taking shape because of my actions and
through my actions, but without any foreknowledge or conscious
design on my part.
I have read of Native Americans using animals as spirit guides, and
know this to represent a manner of thinking common to many
indigenous peoples before "civilization" destroyed their
cultures. Was this, then, what I was asking the chipmunk to be for
me – a spiritual guide? But why the chipmunk, of all
possible creatures? Perhaps it's because, like it, I am both
nervous and nervy; quick witted, but also temperamental. At
any rate, I began to feel that a kind of affinity existed between
us, and what the recognition of that affinity might portend no longer
really mattered; all that mattered was the recognition itself.
Today, however, as I gazed into the eyes of a chipmunk, I understood that
what I had thought was affinity was actually something much more.
That chipmunk, I perceived, was one of the gatekeepers to a knowledge
that I myself am only beginning to be able to comprehend.
Often as I walk through the cemetery and, more particularly, the
woods beyond, I am overtaken by what I can only describe as a form of
internal orgasm. Sometimes it occurs as a kind of tickling
sensation in the brain, or it may be that I feel a tingling at the
base of my spine. Whichever it may be, it's potent enough to
compel me to stop and undertake various spontaneously invented breathing
exercises, meant to circulate the tingling sensation throughout my body,
up along my spine towards my head, down my chest and through my belly
to the base of my spine again. My eyes roll upwards; my
tongue curls automatically to the roof of my mouth. Frequently
I feel a tightening in the region of my solar plexus, and I have to
squeeze and relax the muscles of my belly many times before the waves
of energy subside. Anything might cause this rush of energy:
once it occurred when, caught in the woods during a summer shower, I
watched raindrops hitting the leaves of the trees and bushes around
me. Another time it happened when I found myself standing in
the midst of a tangle of branches that had fallen to the ground,
creating a sort of ring into which I'd stumbled. Another time
still it happened as I watched a single dead leaf on the branch of a
tree being pulled and twisted by the wind. At any moment I
might see something that sets off this sudden discharge of energetic
awareness. It always catches me by surprise.
Also as I walk about I sometimes find my consciousness slipping free
of all its guises. That is to say, I find myself no longer defined
by or limited to my thoughts and feelings; I have no specific center.
The thread of consciousness that attaches me to the contents of heart
and mind has not been severed, but rather, elongated:
my awareness spins free of such constraints, floating like a balloon
beyond them. I am not, unfortunately, able to describe the
experiential nature of this condition in more concrete terms.
But I would like to begin concentrating all my purpose towards the
continuation of these experiences, if I can. I think I have
learned at least one basic premise necessary for its accomplishment:
it is a matter not so much of doing, but of practicing the
art of not-doing. This much at least I have understood
of what the chipmunk has to teach me.
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