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(2)
It's always something amazing, the feeling I get these first truly
warm days of spring. There's a sense of luxury in the gentle,
wafting heat, as if the memory of some half-forgotten pleasure were
hidden away there, waiting to be reawakened in the heart and in the
mind. I go about all day in my shirt-sleeves, and although I've
opened all the windows of my house I stay outside anyway, enjoying
the fresh air, until the cool of evening comes. The crocuses,
I note, have all now withered – but even the murky nebulosity of
encroaching night cannot quench the bright yellow of the daffodils;
peering close, I can still make out the tulip buds' flush of red.
The bushes and trees are all tipped with tiny furls of green, and
these cast their own peculiar, sweet scent into the air. What
is it, I wonder, that I sense in the unfolding luxuriousness of spring?
What memory is it that I feel secreted there? I pause, probing
the internal realms of thought and emotion as actively as I might
otherwise probe the world around me with my senses; and the answer,
when it comes, comes as suddenly as the appearance of stars in the
darkening sky overhead: it is death that I am thinking of; it is
the memory of death which beckons me; it is death that I sense cradled
within each new bud and leaf. Life yields ever uncomprehendingly
to death – and yet it is through death, uncomprehendingly, that
new life engendered. Such is the paradoxical nature of existence.
It's because my mind is unable to grasp infinity that it formulates
these ideas of paradox. The mind can only conceive of infinity
through means of the relative – which is to say, through the
recognition of its own functional limitations. Fate and free
will, meaning and meaninglessness, chaos and order, objectivity and
subjectivity – like the flip sides of a coin, each half of
these paradoxical units may be seen as absolute; yet each half can
only be understood in relation to its opposing side, or its
conceptual functionality will be lost. Question: What
is the relation between reality, which effects by virtue of its
cyclical nature the appearance of infinity, and the truly infinite,
by which I suppose I mean some elemental unity both preceding and
transcending all paradox? I do not know. Perhaps I cannot
know. Perhaps I can only experience.
When I was a much younger man, filled with confusion over my social
and sexual identities, I used to sometimes dream of moving to the
city. There, I had heard (it was given to me as a warning), one
could easily become lost; but I thought there might be a blessing
hidden within that particular affliction. I had the idea that
it was through just this kind of lostness that a new, more valid social
and sexual persona might be discovered. I made several visits
to nearby cities, staying briefly here and there with old friends of
mine who had moved away from our small town; but I did not enjoy
myself. I was much drawn to the plethora of museums, art galleries,
and theaters that I found, but the noise, brutality, and violence
which pervaded the streets overwhelmed me. Survival in this
environment, it seemed to me, required an aura of indifference, a
protective shell of numbness, to one's fellow human beings; and I
had no time to develop, during the brief tenure of my stays, that
thickness of skin, that toughness of attitude, I saw so often evinced
by those who called the city their home. I remember, for instance,
of one day coming upon a man lying sprawled out on the sidewalk, face
down, blood trickling from a wound to his head. Somebody nearby
was yelling that he'd just been mugged; his attackers had hit him with
some blunt object, they said, taken his valuables and run away.
I watched people step over the bloodied man gingerly, skittishly,
as if they were stepping over a mud puddle, then scuttle hurriedly
away. They were frightened; they were appalled; but they were
not moved to pity. I myself edged cautiously past him, taking
my cue from those around me and not knowing quite what else to do.
But as I did so I found myself overwhelmed by a longing for home. I
missed my own small town, where such violent acts were the exception
rather than the rule. I missed the trees there. I missed
the hills. I missed even the weeds, with their unexpectedly
lush spring and autumn blossoms growing in tangled profusion beside
old country roads. If it is true that the choices made available
to those living in small towns, when compared to those made available
in the city, are narrower, the range of cultural activities less broad,
the allowance given with regard to personal expression more closely
circumscribed, I am not certain that the underlying value systems
differ all that much from one place to another. Such
differences as exist seem to me more a matter of scale than
content. The one thing small towns have to offer that cities do
not is a closer relationship to the land. Even this, in the
end, is only a matter of scale; but that particular difference was
enough to decide me. I came back home. I decided I could
be as lost here as anywhere else.
And yet I still have lingering doubts about the life I have chosen.
I have lingering doubts about my unwillingness – or is it my incapacity?
– to join in with society, to take up the fight to change the status
quo in such a way as to better allow for, if nothing else, my own inclusion
in it. I sometimes suspect that my failure to engage in that battle
reveals in me some fundamental lack, or some fundamental recognition
perhaps as to the difference in opinion I suspect to exist between myself
and society concerning which of us it is that most needs changing.
For while it is certainly true that love is never wrong, that our
constitutionally ingrained desires cannot be fruitfully denied, and
that self-acceptance is a primary prerequisite to enacting social good,
still there are those who profess that the homosexual represents,
in some broad yet essential sense, an extraneous element of the human
race.
But I turn my
mind away from such strictures as this line of thinking implies.
If it were to yield a utopia, what an morally sterile utopia it must
be! Anyway, as like as not, in this world full of paradox, I could not
be anything other than who and what I am . . . could I?
POST-SPRING
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Every day and every day it is
I wake up thinking:
Life is good.
But the world's going wrong.
Maybe it's raining
I hear a distant thrumming
Maybe it's windy
the windows rattle with an impatient sound
Maybe it's sunny
a streak of yellow warms the thin brown carpet
Maybe birds are singing.
I raise myself up from pools of sleep:
the day is innocent – ignorant – raw.
Light a cigarette and lightly sip
the poisonous smoke as through a straw.
I prepare myself, for love and pity,
to tell the restless, streetwise throng
that swells the heart of this desolate city:
Life is good!
But the world's going wrong.
Somewhere, somewhere,
where memories dwell,
in some painting on some museum wall,
daffodils and tulips grow.
A child, a woman, a man,
are wading through a sea of flowers
under a chunk of a magnificent blue sky
where distant clouds are stilly woven
and the sunlight glows forever golden,
somewhere, somewhere,
where memories dwell.
But
leave me to my life of mazes,
room to room via hectic streets;
fill my lungs with fumy breezes;
leave me to my desperate feats.
Blown up against the business suits,
the bums and beggars, the homeless ones,
I'll exhale my words of ecstasy
through clenched and smiling teeth
as automatically as bullets
or any spring bird's song:
Life is good! Life is good!
But the world's going wrong, going wrong.
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