(3)
One week later, and spring has truly come at last. Tiny daisies
spring up in people's yards, followed shortly after by those glorious
ragamuffins, the dandelions. Soon delicate, limpid violets are
spreading like a purple mist through the grass. Cherry blossoms
open and fall so quickly that one barely has time to notice them; the
forsythia, bursting forth in a riot of yellow, lasts much
longer. I note with disapproval that some people have cut the
forsythia bushes growing in their yards into rounded or box-like
shapes. This is always a mistake: it gives them a
battered, mutilated appearance (forsythias should be allowed to
show off their spring plumes in wild disarray). Some of the
trees are in bud now – another week and they'll all be haloed
with green. The days are sunny but windy, blowsy; the nights
dank with rain. The air is damp, musky, heavy, dense, fragrant, cool.
At the cemetery, hyacinths – purple, pink, and white – bloom on some
of the graves; but though their color and scent are welcome, I've
always thought them too stiff and fussy a flower. Daffodils are
friendlier, and can be found this time of year everywhere. Some
are large, some small; some are bright yellow, some white; some are
white with yellow cups, some yellow with orange cups. Daffodils are
a pretty rather than a beautiful flower, advertising their sexual
readiness with simple, unabashed joy. I have not, however, seen
any bees about yet to help them out with this; they must rely on the
wind, or on some other insect besides the bee, to do the job.
There are many tiny, nameless insects zig-zagging through the air;
perhaps some of these visit flowers. I notice too that the
first flies have begun to appear. And again I wonder: Where
do they come from, these earliest of flies? Do they migrate from
someplace else? But no: I've never read of such a
thing. Do they pupate underground all through the winter,
then? Or does each new winter comes upon them like a ice-age in
miniature, driving them further and further south until, the cold
weather receding, new generations can penetrate the northern climes
all over again? I do not know. There are a great many
things I do not know; and yet generally I find (whether through mere
laziness or some more deeply rooted disinclination) that when it
comes to nature, the mere appearance of things is enough.
Sitting under
a tree in the cemetery, a fly lands on my arm and grows very still:
|
You stare at me
knowingly fly but
I'm not dead yet! |
No, I'm not dead yet. Not dead yet! Not dead . . .
I stand and start to move across the cemetery at a rapid clip.
"My life," I think – the words flash through my mind
as I step over and around the graves – "is the length of my
body." Then I spy a butterfly, the first I have seen this
year. It's a fritillary, spangled with orange and black; but
its wings, I notice, are tattered; there's a great rent in one of
them. Surely this must be one that is in the last stages of
migration. At any rate, its time in this world, it would seem,
is nearly spent:
|
Your bright wings are worn –
don't you know it's springtime,
butterfly? |
You see? I can be indifferent too. And that is what the
sudden resurgence of life in springtime teaches:
indifference. That is the knowledge it brings to us. When
I was a boy I often felt this indifference towards nature.
Indifference not in the sense of being uninterested or unmoved –
nature always enthralled me; but my enthusiastic observations of its
wonders left little impression upon my conscience. I watched
whatever miniature tragedies were happening around me – two
neighboring nests of ants battling each other for supremacy; a spider
lunging towards some hapless insect caught in its web; the feasting
of a praying mantis upon a grasshopper – with a child's guileless
fascination. I felt no personal involvement with what I saw;
nature simply happened, that's all. It wasn't until I
undertook the hobby of collecting butterflies that I began to
appreciate what burdens conscience might impose with regard to the
exploitation of nature for personal gain. Having fashioned a
crude butterfly net out of an old broom handle, a wire coat hanger,
and some muslin cloth, I caught a butterfly one fine summer's day and
dropped it into a glass jar. The bottom of the jar was layered
with cotton soaked in nail polish remover, the fumes of which were
supposed to asphyxiate the butterfly. I screwed the lid of the
jar on tight and stood watching as the trapped insect fluttered and
flopped inside its prison. It did not die, and did not die, and
did not die . . . At last I could stand it no longer:
I opened the jar again and let the butterfly go. Never again would
I repeat this experiment. I had discovered that I could not maintain
my indifference when faced with the knowledge that it was I myself who
was causing another living creature to suffer and die.
But nature is indifferent. It does not care if the fritillary
lives or dies. It does not care if I live or die.
And this is how I like it. For this, I know, is what it means
to be free.
Still, I am a child no longer. I cannot ignore the many ways in
which my existence impacts the world around me. Even were I to
live in a society that existed in complete harmony with nature,
impact upon nature by humans would occur. And so I wonder:
What grand indifference, once espied by the child in nature, is left
for the adult to know?
I walk along the path that leads down the side of the gully, and I
notice that the myrtle is in bloom again; down by the creek I see
that the skunk cabbages, growing fast now, are already nearly a foot
high. But the focus of my attention alters suddenly, purposing
something new to my mind, something that has to do not with what
I see, but with how I see. More specifically, I notice
something odd about my eyes. It's happened to me many times
these past few weeks, this oddness I've noticed about my eyes.
It occurs so quickly that it has taken many, many repetitions for me
to analyze what it is that's happening. And what's happening is
that I've lately grown aware of the fraction of a fraction of a
second that it takes for what I see to enter my eyes, travel as nerve
impulses to the brain, and there be reassembled and understood as
"reality." For a fraction of a fraction of a second,
I am aware that I and the world in which I live are connected by
nothing more than the transmission of impulses along the sensory
pathway that constitutes "vision." An infinitesimal
crack opens between myself and all that which surrounds me. And
through that crack I glimpse the void. Also, for that fraction
of a fraction of a second that falls between the moment when my eye
"sees" and the moment when my brain orders and comprehends
what it is that my eye is seeing, there is a lack – not of meaning –
but of both meaning and meaninglessness. This is the
void made conscious – or rather, apprehended via biology.
And thus I become aware once again of the fact that this world, this
reality, in which I exist, does not adhere to anything but itself, is
governed by nothing but its own self-made laws and principles:
it floats in the midst of a void. It floats in a void as
surely as the world upon which I stand floats in the midst of the
emptiness of outer space. There is no up, no down; no top, no
bottom; we simply hang, suspended, amidst blank nothingness. This
nothingness, this void, is how the adult human understands the
child's intuition of nature's indifference. This void is what
the adult human understands to be God.
|
What fools we are
who think we can know
anything but spring |
|