DREAMS IN A BACKWATER
PART THREE
II
(1)
THE ANIMALS
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1
Savage dreamers from long-ago times
Could not have foretold of this dark passage.
When they peered out with dumb animal eyes
From between the leaves at distant stars,
They saw dimly the eyes of gods
But knew not that gods might weep for us.
2
Now a blight is spreading across the land;
It blots out the sun and poisons the water.
Now the animals are creeping from out of their houses;
Each in the dark sky sees their own angry face.
They've no one to answer to but one another;
Hopeless and helpless they don't believe a word
3
But stare down with dumb eyes at their uplifted palms,
Wondering what solace this nighttime can bring,
When dreams have grown dreadful and stars become hidden;
Wondering from whom they might seek forgiveness.
The animals shut their eyes to the darkness
And, peering within, hear the weeping of gods . . . |
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Mid-summer has now arrived here in my town, and the days have begun
to grow tedious, each day being exactly the same as the day before:
sunny, bright and hot, varying only in its degree of
stickiness. Living in a third-story converted attic in this
kind of weather is like living in an oven: by afternoon
it's sweltering. I put up fans in the windows to circulate the
hot air, and flop about like a limp rag from mattress to chair to
mattress again until eventually I'm forced to seek relief
outdoors. Still out of work, I have, really, no place to go,
nothing in particular to do. I'll have to start looking for a
job soon now – much as I hate the thought – for my unemployment
benefits are nearly exhausted. But when I go into the grocery
store or drug store and see the dull look of boredom in the cashiers'
eyes, when I hear them making the same dreary little jokes with the
customers that I myself used to make and remember so well – about how
you gotta do something after all to pay the bills and god,
wouldn't you just love to win the lottery? but, oh well, guess
it ain't gonna happen today and what would we do with ourselves if we
didn't have to work anyway? so, well, whatever, you take care now and, oh
yeah, have a nice day – it makes me dread the thought of having to
return to that shuffling grind. Not having a car, and having no
particular skills or training to offer employers, the variety of job
prospects open to me is limited. Most likely I'll have to
return to the same sort of menial labor I've always done, such as
working in a factory or at a convenience store. Like the old
joke about banging your head against a wall because it feels so good
when you stop, I'd more or less convinced myself that I enjoyed this
type of work – until I didn't have to do it anymore for awhile.
However, the time for my return to that life is not upon me yet.
It being too hot, these summer afternoons, for me to stay in my
apartment, and it being likewise too hot most days for me to bother
with making the long trek up to the cemetery, I've taken to wandering
around downtown instead. The commercial district of the
town where I live is not large, covering an area only about three
blocks long and two blocks wide. The three lengthwise blocks
are comprised, fairly typically for a small town I suppose, of several
banks, an inexpensive all-purpose department store, a small drugstore,
a number of business offices, an office-supply store, several jewelry
stores, a couple of restaurants, and one or two newsstands specializing
in the sale of newspapers, magazines, lottery tickets and tobacco
products. There are always two or three empty storefronts as
well, for the economy here is not a thriving one. Intersecting
these three blocks, one block to either side, are streets upon which
all the odds and ends of commercialism can be found: a
movie theater, the Salvation Army store, a health food store, a movie
rental store, antique and second-hand shops, fix-it shops, a bridal
shop, a maternity shop, etc, etc. And lying just beyond the
precincts of this central district are the more communal and
public-service areas of town: Morgan Park, the
oval-shaped, three-acre parcel of land named after the town's founder, is
located here, as is the public library, various elementary schools,
half a dozen fast-food restaurants, various doctors' and dentists'
offices, two hospitals, the fire station, the court house, the police
station, grocery stores, numerous churches, an equally numerous
number of bars, and any number of older, unassuming houses that have
been subdivided into apartments, as was the house where I live.
These are the various precincts and districts through which I might
wander on a hot weekday afternoon.
The streets, at this time of day, are pretty nearly deserted.
The heat's simply too intense for anyone to want to be spending
much time outside. There are, perhaps, a couple of small gangs
of teenagers to be found roaming around, a few well-manicured men
and women in business suits hurrying from one air-conditioned building
to another, the occasional shopper, and a few haphazard
stragglers who, like me, are without jobs and at loose ends.
The motor traffic, too, is light: most people, of
course, are working at this hour of the day. But as afternoon
shifts into evening and people leave their jobs for home the number
of cars will, for a time, increase significantly; for an hour or so
the streets will be clogged with traffic.
I went out earlier today for a walk at just about this time. I
was concentrating as I walked on the practice of focusing my
attention on all of my senses at once, for it had come to me earlier
in the day that concentrating on any one sensory perception to the
exclusion of the rest falsified to some degree the reality of my
experience of the world, which consists, unless I direct it otherwise,
of multiple sensory perceptions occurring simultaneously. My
experience of eating, for instance, is not just a matter of taste,
but also of smell (without which the experience of taste would, of
course, be greatly reduced); of sight; and of touch (with regard
specifically to the texture of the food on my tongue). It
involves sensations of my body's mechanical maneuverings: the
raising of my arm to put the food in my mouth, the act of chewing
and swallowing, etc. It involves a total bodily perception of
how I'm positioned in relation to my environment, of whether I'm sitting
or standing as I eat, for example. It's no single one of these
sensations but all of them combined which creates the
experience of "eating." And so, as I walked about
town late this summer afternoon, I strove to focus my attention not
only on what I saw, or heard, or smelled, but on all the sensations
that were taking place both within my body and externally as well. In
this way I attempted to focus the totality of my attention on my
experiential self, as perceived sensorially (i.e. to the exclusion of
analytical thought), and as located within a specific series of
moments in space and time.
How strange it is, this civilization that we have constructed for
ourselves, when viewed this way! The concrete of the sidewalk
felt hard and unforgiving beneath my feet, completely lacking the
more subtle, textured sensations of earth and grass. The air
smelt foul with its sudden gusts of exhaust fumes – and how loud, how
raucous, the noise of the passing cars were with their insistent,
roaring motors, their blaring horns. All this grew stranger and
stranger to me as I walked, not least because my attention, being so
wholly focused on my senses, had completely deserted the precincts of
my rational mind; because of this I lost the ability to digest my
surroundings intellectually, and thus to orient myself to them as I
normally would. Instead I saw the world with all the dumb shock
of an animal suddenly transported from its natural environment and
dumped into some wholly foreign realm. And what could that
animal make of these long, congested streets, of that endless line of
cars rushing towards it with their huge, unblinking eyes, their roar
and whine, their implacably hard, shiny brightness? They moved
with no natural grace, not even with the terrible, terrifying grace
of a predator charging towards its prey. There was, in fact, no
discernible sense to their movements at all: they leapt
forward in one great rush and then, quite suddenly, all came to a
stop – only to charge suddenly forward again a few moments
later. All this to the accompaniment of great noise and a
terrible, noxious smell. I found myself growing disoriented,
for I had left myself no means of protection, no psychological tools
by which I could measure my capacity for defense against their
onslaught. My muscles grew tense, my back rigid; my armpits
sweated and my scalp prickled. No matter where I turned there
those cars were; and where they were not there was only a towering
wall of glass and stone that offered me no refuge, no means of
escape, no sense of safety, no place to hide . . .
I was, for a few moments, utterly terrified.
Being human I can, of course, reorient myself to this environment at
will. But what my experience earlier today revealed to me was
just how alien this mechanized, motorized, industrialized environment
is to my animal self. I have never experienced this sort of
fear when surrounded by nature – when walking, for instance, in the
woods over by the cemetery. When I'm in the woods everything is
all of a piece, including me. The tumbling rush of water in the
creek, the sound of birds calling, the rapid drill of the woodpecker,
the chattering of chipmunks, the wind in the trees – none of these
feels anything but companionable to me. There is,
unfortunately, no point I can reach in those woods that is completely
beyond the range of humanly made sounds: in the distance
I can always hear the whoosh of passing cars, the buzzing of lawn
mowers, the occasional siren's wail. These sounds strike a
sense of discord in me, causing a vague sense of anxiety to my animal
self. I don't mean, of course, to sentimentalize animals by
unduly anthropomorphizing them: were I only
animal, those humanly engendered sounds would, I know, soon enough
become just so much background noise to me. Nor would the sounds
of nature have the same relevance, for I would not be perceiving
and judging them in the same way. And I know too, of course,
that for animals, nature holds no small amount of danger:
rivers may flood, fires rage, winds turn to storm . . . A
predator might at any moment leap out from behind a bush or a tree or a
rock, or come swooping down from the sky overhead. Yet the fear I
imagine myself to experience when confronting this type of danger, as
terrible and terrifying as it might be, still strikes me as being
qualitatively different from the experience of fear I had earlier
today when confronted with the onslaught of motorized traffic.
There is, with regard to the death I might encounter in nature, a
profoundly felt sense of its being part of the natural order
of things. Just as the trees, clouds, birds, insects, weeds,
roots, dirt, etc. of the world of nature all give me a sense of
deeply felt connectedness – because they are all things made of the
same materials of which I too am made – so too would my own death,
were it to be caused by some natural agent, feel intrinsically
appropriate and (my desire to prevent personal extinction
notwithstanding) justifiable. The world of nature, including
even its processes of death and dying, feels like home to me
in a way that the mechanized, industrialized, "civilized"
world never can.
It's also the case that I am tapping into two varying aspects of my
"core" self when walking through town and through the
woods. When I focused all my attention on my senses earlier
today, experiencing a corresponding diminishment of my capacity for
normal human self-consciousness as a result, I glimpsed at the center
of me a place of no-self. I learned that it is possible
to experience, however obliquely, an emptiness – an absence –
within. This added to my terror, was perhaps even the central
feature of my experience of it. When in the woods, however,
what exists at the center of my sensory perceptions is the awareness
of a self that is yet not self-conscious. How can self exist
without being self-conscious? Through the process of
experiencing no-mindedness (as I put it before). The
difference between the two states, both of which I've described as
being due to a lack of self-consciousness, seems to me to lie in the
degree of centeredness felt during each experience.
Wandering around downtown, I felt a sense of profound disorientation
because I was confronted by a world towards which I sensed no truly
meaningful connection; this was amplified by the concentration I
placed on my sensory perceptions, a concentration so intense as to
temporarily shut down my ability to analyze and correlate those
perceptions (analysis being a necessary prerequisite to survival in
an unnatural environment). Thus my experience of self was scattered,
lacked unity, and so became an experience of self misplaced, or
"absent." When in the woods, however, my sense of
unity is never completely lost, even when I place my full
concentration on my sensory perceptions, because I feel meaningfully
connected to the natural world which my senses are perceiving and
thus do not experience disorientation and its consequent
fragmentation of self. The demand to analyze and correlate what
I perceive is, in the woods, never so great as to overwhelm my
intuitive sense of a unified self; neither do I need to substitute
this process of analysis and correlation for my sense of a unified
self. It is the unified self which yet lacks self-consciousness
that gives us our sense of continuity, via the attachment of this
"unself-conscious" self to the experiences engendered by
the inner and outer senses. It is the lack of this sense
of a unified self which, I believe, gives human beings that sense of
anomie which has become such a common feature of modern times.
I believe it's the presence of this unself-conscious self which gives
me the feeling I've mentioned previously of reality existing in some
manner as no more than a mere facade, a sort of veneer which I feel
could be peeled away to reveal something quite different
underneath. I've speculated in the past that what exists
underneath is a void – and, insofar as reality consists of pairs of
absolutes, this remains true (the void being the antithesis of a
knowable reality). Yet it has come to seem to me of late that
there is another, perhaps more interesting possibility, this being
that what exists behind the veneer of reality is my own psyche.
I mean this quite literally, and might argue the validity of the idea
by pointing to the fact that whenever I close my eyes, whenever I'm
asleep and dreaming, whenever I have had an out-of-body experience,
the landscape of my inner realm is what appears. Might it not
then be said to be a logical conclusion – or rather, a conclusion
born of the experiential condition – that what exists behind the
surface of reality is, likewise, my own psychic landscape? This
is not, of course, to deny any conclusions based on scientific
understanding as to the substantive quality and effects of the
material world, nor is it to deny the philosophic validity of
objective existence. But I now believe that the possibility of
an individual's inner psychic realm existing behind the constructs of
reality may lead to that point at which the subjective and objective
aspects of reality overlap and influence one another. Although
I cannot claim to have anything approaching a complete understanding
as to how this phenomena might work, I think this new insight
nevertheless points the way to an understanding as to how the
individual psyche may influence and alter the nature of objective
reality. I believe, in short, that while reality may be
constructed according to scientific laws (though these laws, of
course, are also constantly evolving according to the measure of our
understanding), the modality of its operation is fundamentally fluid,
and open, to some degree, to influence.
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THE EMPTY BED
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The empty bed
Awaits me
Like an impatient lover
It awaits me
It's all I want
It's all I need
Wrestling myself
In my bed until
I am not I
But a hollow dream
The dim throbbing
Of an old remembrance . . .
Like a fly at the window
Bumping its face
Against a pane of glass
Until it dies
Like a man walking towards me
Down the street
Touching his crotch
To catch my eye . . .
The empty bed
Awaits me
Like a raft
Floating
On an inky sea
I'm sailing
Into the dark night
Alone |
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