(5)
A few days ago I went out to my parent's house, visited awhile with
them and then had dinner. After dinner, I decided to go to a
grocery store located out their way and do some shopping. My
parents live in a fairly quiet residential district at the edge of
town, but to get to the grocery store you have to drive down a short
stretch of busy highway. I'd gone only about a quarter-mile or
so when I saw, on the opposite side of the road, a cat that had
recently been hit by a car.
He must have been hit only a few moments before, for he was still
alive, though badly injured: he kept raising the front
half of his body, bending himself over double in a jerky, spasmodic
way, as if by instinct still trying to leap to safety even while in
the throes of death. It was a horrible thing to see.
Whoever had hit the cat had not bothered to stop. Other drivers
coming down the highway swerved their cars to avoid hitting him again,
but none of them were stopping either. Apparently no one wanted
to be responsible for delivering the death blow to the cat – but
neither were they moved to stop and see if there was anything they
could do to help.
I found a nearby driveway to pull into and parked the car. As I
began trotting down the side of the highway, I noticed a group of
three or four people getting out of a truck and walking towards the
backyard of one of the houses I was passing. I noticed that
these people were watching me closely, and I kept glancing over at
them as I jogged along, thinking that perhaps they were the cat's
owners, or that they were maybe going to offer me some help in
attending to it. Then I saw that they were nudging each other
and smiling – grinning, in fact. Finally one of them looked
straight at me and laughed out loud. I couldn't understand
this. I wondered if they were the ones who had hit the
cat? Or did they think that perhaps I had? I didn't
know. But whoever they were, whatever they thought, one thing
was clear: they found my behavior . . . funny.
By the time I got to him, the cat had stopped his terrible, spasmodic
jerking. Cars were still veering to one side to avoid hitting
him again; I let several of them go by, then decided to just not worry
about them. Creeping out onto the highway I knelt down beside
the cat. He was a slim grey tabby, and lay quite still
now. There were splatters of blood all around where he lay, as
if he'd been spun in a circle when hit. Blood was dripping
from his mouth; he was not breathing. Gently I ran my hand
along his side to see if I could detect any response. The cat
heaved one last, great sigh – and then he was gone. Gingerly I
lifted him up in my hands. The side of his head that had lain against
the road was badly smashed. The eyeball had been pushed out of
its socket – a gruesome sight. I lay him down in the
grass at the side of the road and left him there. I didn't know
what else to do.
As I walked back down the highway again, I saw that the people who
had been watching me were gone. When I got back to the car I
noticed a smear of some sort of yellowish-brown goo on my
fingers. It had a very strong, very foul odor. I bent
down and wiped my hand on the grass. But the odor
remained. Even after I'd gone back to my parent's house and
washed my hand, it lingered. It lingers still, in my
nose, in my mind. It's the odor of death, I suppose.
Cats have always held a peculiar significance for me. I've
had one or more of them living with me almost all my life. I
like their affectionate, yet still slightly wild natures, their
aloofness, their quiet camaraderie: they make the
perfect companion for a loner such as myself. They've played a
significant role in my dreams as well, appearing as good omens for
the future, or acting as symbols of my physical, animal self. I
cannot deny that coming upon a dying cat in my waking life at this
particular point in time feels particularly significant to me, what
with my being so long out of work and feeling such uncertainty as to
what my future holds . . .
But I do not want to reduce the cat I found to a mere symbol.
The futility that was expressed by the manner of his death, and the
suffering he underwent in the face of it, were both quite
genuine. In fact, if that cat revealed anything to me, it's
that if life is a dream, it's also a true dream – a real dream.
Still, with all the wondering I've been doing lately about the ways
in which subjective and objective realities influence each other, I'm
forced to consider whether or not I could have somehow contributed to
the enactment of this cat's death. If this seems too extreme or
simply absurd, should I not at the very least hold myself responsible
for being a part of the larger context in which he died, which helped
him to die? Yet, how do I explain this, how do I understand it,
without falling into maudlin self-pity, into pompous egotism, into
mere sentimentality?
I do it by
simply recognizing this: it is not I who matters
here. The only one who matters is the cat.
*
*
*
WHAT DREAM IS THIS
|
What dream is this, that with such causeless spite
Comes to jeer and mock the innocent?
From what uneasy slumber was this sent
That makes of death a thing so far unnoticed, so trite,
So small in might that not one single heart stands still;
Nor no one, wrenched by sudden shock all wakeful from their sleep,
Open up their eyes at last to see – at last to weep –
At how pretended innocence makes us not to die, but kill?
What dream is this, that death for its own hopeless pleasure pleasure keep?
It wants not our compassion when it deals the slighter blow,
But counts us its compatriots, who care to care so little, even less
to know
What dream this is that lulls the waking eye to sleep . . .
And yet for spite I say: Awaken me now from this dream,
For I would that I would not again be what I seem. |
*
*
*
|
The dead cat's eyes
staring at nothing . . .
Summer moon |
|